Last week was a week of lots of travelling around and not sleeping enough, so by the time it culminated in an early start and a lift to Oxford for this year’s Caption Small Press Convention, I was already knackered.

This probably explains why the only photos I took were this:

Caption 2008 - David Baillie and Dan Lester Prize Bananas

And this:
Caption 2008 - David Baillie's Prize Banana

It’s a peculiar con for me, where I don’t have anything to sell, or even in the works mini-comic wise, but where everybody I know there does. As such, it becomes more of a social event then anything else – the main hall is small, and after one circuit I was pretty much ready to go to the bar.

And sadly the bar was a bit un-bar-like, with beer in cans and bottles, and pop in big Tesco’s bottles, so flat and warm before it had made it into your glass.

All that said, I had a lot of fun, and thanks to the organisapeeps (of whom I only actually know Jay and Selina) for doing such good work with the raw materials available to them – after all, one of the main strengths of mini-comics in the first place.

Things of note, and key moments:

There are no attractive women in Eastleigh on a Saturday morning.

Oxford has shitty areas too! And they’re actually a little more depressing than their equivalent here in Southampton!
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Can’t quite believe I’ve failed to do this already.

Just over a week ago, Elephant Words went through it’s biggest changes to date. As well as everything else, this means that it was my first week away from the site.

As it turns out, the new roster did the site proud, and some of the pieces even made it straight to the top of my all time favourite Elephants.

They were based on this image, posted by Andy Cheverton, taken by Princess Bala Vera:

Magnetic Letters
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This week at Elephant Words, Xander Bennett posted a beautiful photo by Austin Andrews:

The Bowhunter

It was my turn to post today, and I did, but only just, ten or so minutes ago.

My piece is called “The Imaginary”:

CAPTION:
THE FOLLOWING PREVIEW HAS BEEN APPROVED FOR
ALL AUDIENCES

[Music: "Hoppipolla" by Sigur Ros]

[Studio Titlecards]

[CUT TO: Tracking shot of leafy suburb, colour saturated to look like the 80s.]

[The same suburb - we're now closer in on one garden. Two young boys, around ten years old, are running around, chasing each other.]

NARRATOR (V.O.):
When Nathan Ray was a boy, he had the best friend in the world…

[Close on the boys. One is pale skinned, blond and scrawny, stripped to the waist, the other darker, with Oriental features - his outfit more traditional or rustic, a small knife attached by thong to his waist. One catches the other, and they wrestle.]

[Close up on the boys faces, as they laugh and jostle.]

[CUT TO: The boys, a couple years older, walking through the darkened woods, sunlight shafting through the trees.]

NATHAN (O.S.):
It isn’t fair. How come you don’t get to go to school? I’ll miss you.

PAZU (O.S.):
I’ll still be here.

[Long shot of the woods, the sky darkening.]

PAZU (V.O.):
I’ll always be here.

I should say now, on the record, that I think what I’ve achieved this time is a fine validation of the hard and excellent work that the decent movie or TV trailer makers do, because basically, I make it look as hard as anything.

There’s a thread of deliberate parody in the piece, along with what I think is a really nice story, but I think they may get overwhelmed with the clunkiness and uncertainty of my dabbling with the format, which I tend to believe never gets scripted out normally anyway – falling instead to the skills of really quite talented editors instead.

Douglas and Xander do this stuff much better than I do, is what I’m saying.

But all that aside, it may divert you for a few minutes! I’d like to know what you think. You can read the whole piece here: http://elephantwords.co.uk/2008/07/15/the-imaginary/

Please comment either here, there, or in the forum thread attached to the piece.

My Elephant Words piece, on a 24-hour turnaround, went up late last night. It’s basically a string of ideas that occurred to me, all in a bluster, and I don’t know whether I really pulled them together enough for it to count as a working story, but there’s probably enough in there to make you go “oooh”.

It’s inspired by this picture by Mr David Baillie:

… and Lego.

It’s called Meat-Free, and it goes a little something like this:

“… Sometimes all it takes is just being too – maybe dumb, maybe naive – to get something done. Because if it doesn’t occur to you that an idea is something that no-one has ever made happen before, you don’t really have the chance to consider failure…”

Boston.com has a photo feature, notionally celebrating the Space Shuttle Discovery’s recent successful launch, making it the 154th manned US space mission.

The photos are of the earth’s skies, taken from above, and are awesome. They are too big for me to resize here, but trust me, you’ll want to see these. Click here to go there.

I suppose this is one of the benefits of the majority of current space missions being earth orbit ones, rather then actual space exploration. The other one is that they finally got round to taking bagels up with them. Bagels! In space! See, this is what I’m talking about – this is the fucking future…!

Warren Ellis has requested that people remind their readers that FreakAngels continues every Friday.

It’s very good. So you should go read it.

http://www.freakangels.com/

Blogged with the Flock Browser

Josh just linked to this, and it’s sad and awesome.

Coco Wang is a cartoonist from China, who has drawn some comic strips of smaller stories of the earthquake hit country that we haven’t really heard so much in the west.

I’m not saying that comics are the only way of doing this sort of reportage, but in this case they are certainly pretty effective, especially when news media have become difficult to trust or respond to without cynicism.

Without some pretty brutal resizing, I can’t get an image to show, so you should probably go visit instead…

Okay, this was going to be a post about how I spent a chunk of “10,000bc” wondering where the hell it was supposed to be set, having spent the whole time since seeing the trailer thinking for some reason that the dominant culture in the movie was Aztec or Mayan, and how despite some apparent minor geographical discrepancies, the other movie we watched on Sunday, “30 Days Of Night” was much more decisively of it’s setting.

There was even going to be a bit of a review of each movie, although this would be massively disjointed, as “30 Days” was our second viewing, clearly based on our positive first watch of it, whereas “10,000bc” was quite fun while it was on, but left very little impression on me the second the credits rolled. Apart from the rather ginchy moment where it alludes to being connected to both Stargate (and by extension Stargate: SG1) and Stargate: Atlantis, all of which share a creator with the movie.

But then I saw the Google maps of Barrow, Alaska, where “30 Days” is set, and my brain kind of squee’ed, and I couldn’t think of much more to say beyond “ooh, lookit!”.

So, oooh, lookit!

Barrow Airstrip
Barrow via satellite. It is much closer to the water then in the movie. I particularly like the way that the airstrip is longer then the town proper.

 

Barrow and surrounding area
This is really what caught my eye. I’m not sure what causes that golden colour to be quite so vivid, but it just reminds me some of the beautiful work on many of Gustav Klimt’s paintings.

Image by quirkybird at flickr.

Quirkybird has posted an amazing set of photos, from the Lone Fir Pioneer cemetery.

Well worth a look.

Very hit & miss, but worth a look for some of the gems.

http://flickr.com/groups/songchart/

One of my favourites:

Then another:

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